great as a hot young badass, he should end up with Kirsten they would be hot

don't need to use much of your brains.

enjoy and relate to this in many ways :

honest, which is what I value most in a film. If you must compare the two I found Bachelorette to be all wit and pathos, while Bridesmaids was all fart jokes and vanilla.

comparatively ignoring several other potentially interesting characters. Dramatically, it lulled too often and relieved too much focus from the impending wedding. The Hangover, while better than Bridesmaids, lacked the impressive dramatic pacing and humane camaraderie as well as the outstanding cast that bolsters Bachelorette.Kirsten Dunst gave what may be along with Melancholia the performance of her career- particularly throughout the sequence in which she portrays a Regan who masterfully resists coming apart while simultaneously saving two of her best friends from a wedding disaster and a suicide attempt. It is no exaggeration to say that she exceeds herself and the genre and overpowers the role.Lizzy Caplan and Isla Fisher play their roles ideally; while no match for Dunst, they introduce the chaotic broil of f***-ups and sidesteps that make this story both intently awful and irresistibly watchable. Caplan reprises the role she perfected in Party Down as the depressing but charming and somewhat inaccessible Casey, while Fisher brings the burn-out/not-fade-away-energy she is known for from Wedding Crashers to another level.Now to address the criticism of those who can't abide this movie. The complaints tend to fall into two categories: of those who refuse to see the redeeming value in a movie filled with such repugnant personalities and such small moralizing , and of those who believe the movie failed its own dark comedy agenda by finishing with a predictable happy ending. There is no point in addressing reviews that make both complaints. Their contradictory desire for a movie that is ultimately both redemptive and damning only shows that they are not able to clearly formulate their thoughts or express themselves.The first category of complaints is eminently understandable. Bachelorette often jokes with borderline offensive humor, and at times the jokes cross the border into the realm of the seriously offensive. Most of Trevor's James Marsden's commentary falls under this warning label, as he spouts the pickup pseudo-psychology that is despairingly commonplace among young men, shows indifference toward the prospect of rape, and takes it for granted that women like being treated as objects. Similarly does the recurring nickname "pig-face" for Rebel Wilson's Becky, incite a knee-jerk reaction against the debased characters in this movie. But we should not commit the fallacy that congenial characters make a good movie, or that the words of the characters are the ideology espoused by the movie. Ethically, I think Bachelorette performs the critical function of revealing to us the unpleasant aspects of our culture, and facing us with the surprisingly difficult truth that our most serious problems are neither irresolvable nor unfunny.The second category of complaints, those who did not find the film dark enough, is easily addressed. Yes, I admit it has a happy ending. There was a wedding, two of the three leads end up in relationships, the transcendence of love is affirmed. But the only character who receives a properly happy ending is Rebel Wilson's Becky, perhaps the least important person in the film, more a plot device than a character. Gena and Katie still have serious emotional issues to work over, and their relationships are far from stable or long-lasting. And Regan is still further from the ideal of marriage than she was in the beginning.In the film's final accounting, Regan empowers herself without jumping through the relationship hoops that all romcom female leads are traditionally subject to. Likewise, she avoids becoming a victim, a soapbox, or a pretty face who is just glad things have settled down. In a plain moralistic sense, the "best-behaved" characters all end up with the best fates: Becky, the virtuous axis at the center of this pandemonium, receives the perfect wedding; Gena and Katie fall into stabilizing relationships, as unwitting in happiness as they were in their depression; all while Regan, the wicked and energetic type-a core of this ensemble, receives nothing, but instead actively attains her own hope for redemption which comes without a man attached .This won't be a popular opinion, but I think this film is among the best of 2012, and I believe Kirsten Dunst's performance is Oscar-worthy. I think Leslye Headland, Dunst, Caplan, Fisher, and their cinematographer all deserve recognition for producing this illuminating and entertaining picture.Having said all this, I would not recommend the movie to my parents. Please do your research if you are easily offended. But those acclimated to the Apatow brand of domestic gross-out comedy will not find anything here out of place, only better executed. If you have a stomach for raunch, and can deal with beautiful women portraying intelligently-written characters, please see this movie. It will delight you.

doesn't understand that characters could be ugly and resentful, claims that these characters doesn't have any redeemable qualities. Did we watch the same movie or something? They more than redeemed themselves when they showed feelings you idiots. And they executed it perfectly!Here's what I like about 'bachelorette'.*The characters are very relatable because that's how it is in real life. People have shitty attitudes! You can't dislike a movie just because it doesn't go with your personality or your beliefs. You're not cut-out for movie-watching if you're that stuck-up.*The story-arc of Lizzie Caplan and Adam Scott is one of the best highlights of the film because it felt true and heartwarming.*The dialogue is crazy and original. I have never seen a movie with too many memorable one-liners. *The performance of every actor here is crazy good. This definitely deserves a f*cking nomination, and that is not stretching it too far!Overall, 'Bachelorette' is a smart and a darkly funny story of flawed but vulnerable ladies in a one crazy night. That is how it is going to look if you keep an open-mind while watching it. I am deeply bothered by the so-called critics who gives movies a negative review because of their challenging and 'immoral' content. This is a good movie; even better than Bridesmaids IMHO.

up individuals. What it gives you is a very plausible comedy. A review online called this the mix between Mean Girls + Bridesmaids. Aside from the similar wedding scenario, this is more the women version of the Hangover and fused with Mean Girls. Check it out, it's a good laugh ride if you're into dark comedies.

comedy. The characters are realistically flawed. They do ugly things and treat each other badly. They also obviously care for each other and make some astute observations about life. There are too many weirdly, subversively funny moments to list.If you watch it expecting a light, breezy "chick flick" you will be disappointed. If you watch it expecting a gritty, grimly hilarious portrait of three very human women trying to overcome their own flaws and self-inflicted disasters, you'll have a damn good time.Notes: 1 Kirsten Dunst is awesome playing a tightly-wound, abrasive control freak. I love the hard edge she has here. And the way her face betrays the fact she's always on the verge of coming apart at the seams.2 Lizzy Caplan. FINALLY in a movie and role worthy of her comedic talents.3 Rebel Wilson. Naturally hilarious. Too bad her role necessitates under-utilizing her gifts.4 James Marsden. I've only ever seen him in good-guy roles at which he is excellent . It's a confirmation of his skill that he's equally great at playing a sleazeball manipulator.5 June Diane Raphael. The uniquely nutty, endlessly comical Raphael's cameo in the bathroom with Lizzy Caplan is easily the funniest scene in the movie.

–Faces as school – reunite for Becky's wedding. Despite the happy facade, they're a fractured group.Regan is a cruel, controlling woman who's secretly upset that Becky got married before her; Gena uses sex to cover her problems, even explaining detailed sex acts to strangers and Katie – despite her outward craziness and love of partying - has elements of depression. Even Becky, who seems to be the most normal of the girls, is still dealing with the fallout of being teased at high school.While the plot has been done a million times and is similar to the Hangover movies , it's the coarseness of the characters which make this movie stand out. The girls are meant to be unlikeable and there's plenty of coarse language to illustrate that point. While the plot plays out conventionally, it doesn't drown in a sea of third act sentimentality for the sake of neatly wrapping up the loose ends. While things improve for the girls as the movie progresses, they're still the same mean girls they were at the start. It's also refreshing to see a movie with strong female characters. Probably the stand out is Rebel Wilson, having graduated from Australian sketch comedy shows to establish herself as the next great comedic actress.If you're after a slightly darker take of the rom-com formula, 'Bachelorette' is worth a look.