Little Big Man(in Hollywood Movies) Little Big Man (1970) - Download Movie for mobile in best quality 3gp and mp4 format. Also stream Little Big Man on your mobile, tablets and ipads
Plot: Jack Crabb is 121 years old as the film begins. A collector of oral histories asks him about his past. He recounts being captured and raised by indians, becoming a gunslinger, marrying an indian, watching her killed by General George Armstrong Custer, and becoming a scout for him at Little Big Horn. Runtime: 139 mins Release Date: 22 Dec 1970
Sprawling comedy-western with memorable moments. (by jckruize)
One of the greatest American films of the 70's, a long but enjoyable western epic told with verve and insight. Dustin Hoffman excels in one of his early film roles, throwing himself into its physical demands with obvious enthusiasm and in the process creating one of his most endearing characters.But he had to be on his toes in the face of much scene-stealing by a host of experts, including Richard Mulligan as the screwiest Custer you'll ever see, Martin Balsam as the eternally optimistic Mr. Merriweather, and Chief Dan George as Old Lodgeskins, a noble, wise and very funny Native <more>
American patriarch. This, along with "Bonnie and Clyde," represented the pinnacle of Arthur Penn's directing career: he handles the tonal shifts from comedy to tragedy with unerring control. Beautifully photographed and scored, with a wry, picaresque script by Calder Willingham from Thomas Berger's novel. Memorable images abound, from the rousing stagecoach chase, to an erotic bath delivered by the beauteous Faye Dunaway, to the horrific attack on a snowbound Indian village by the U.S. Cavalry, accompanied by a sprightly fife-and-drums march, to George's dignified ritual of death under threatening skies that doesn't quite turn out the way he planned. A funny, poignant tale, skillfully told, and a reminder of the fragility and randomness of life and love.
I have to admit... I LOVE THIS MOVIE and have since the first time I saw it as a kid. No other western - if it indeed is a true western? - tells the story of the white man's disrespect for the ORIGINAL Americans, without the tear-teasing guilt or the cheesy wigs chasing the stagecoach.It is the story of an amazing man and his encounter with the Cheyenne. We follow young Jack Crab through his LONG life, and WHAT a life. Jack is abducted by Indians, raised by the preacher's ultra sexy wife, becomes the fastest gun in the west, sells dodgy "medicine" and joins General Custer at <more>
Little Big Horn.A MUST SEE if you ask me.And to top it off, the blues great John Hammond provides a fantastic score. A very hard to find album, but worth the effort and money... As is the movie.Have to rate it 10 folks!
This will always be one of my favorite movies. I love long, episodic plots such as this. The character of Jack Crabb has such dimension and so grows from one incarnation to another, that he is worth watching from beginning to end. This was Dustin Hoffman in his pre-pretentious "I'm such a big star I won't listen to anyone" period and he is an absolute joy because he just plays the character as it should be played. I love that he can be cowardly one moment, confused the next, heroic the next. He goes through phases in his life. Of course, the neatest part of the whole movie <more>
is the portrayal of the Indians. They are multi-dimensional and wonderful in their acceptance and joy with their world. Maybe everyone should see this movie to see how these "human beings" have been driven from what they were to what they are now. I have a top ten list of movie moments and on it is the scene where old Lodge Skins goes off to die because it "is a good day." As he lies there a drop of rain hits him in the eye and he decides that "sometimes the magic doesn't work."The death of Sunshine is also so sad. I visited the Custer Battlefields a few years after seeing the movie, and while the place is interesting historically, I just couldn't look at it in the same way. The narration of the ancient Jack to the overmatched reporter is a delight. I know that this is a novel, not pure history, but Thomas Berger must have known these people and this delicate, beautiful movie is certainly his legacy.
Ground-breaking revisionist western and pure seventies gold (by gogoschka-1)
This was one of the first neo- or revisionist-westerns and it really is a bit of a shame younger audiences mostly don't seem to know it: this is classic seventies gold. Arthur Penn, one of the driving forces behind the so called New-Hollywood he also directed 'Bonnie and Clyde' , delivered a masterpiece - with a fantastic Dustin Hoffman. It's an epic, tragic tale - but one told with an often very funny voice. Part satire, part honest look at America's dark and untold history, the tone and narrative structure of this film were ground-breaking. And it still looks fresh: the <more>
script, the acting, the camera, the music: everything still oozes quality more than 40 years later. A timeless classic. 9 stars out of 10.Favorite Films: http://www.imdb.com/list/ls054200841/Lesser-known Masterpieces: http://www.imdb.com/list/ls070242495/Favorite Low-Budget and B-movies: http://www.imdb.com/list/ls054808375/Favorite TV-Shows reviewed: http://www.imdb.com/list/ls075552387/
My vote for best western of all time goes to "Little Big Man" 1970 ... (by MovieAddict2016)
There's some classic folklore regarding "Little Big Man." Legend has it that Dustin Hoffman sat in his dressing room prior to filming and screamed at the top of his lungs for an hour in order to gain the raspy voice of a 122-year-old man for the voice-over soundtrack of the film.I don't know if that's true or not, but regardless of the methods he may have used to gain his coarse voice, it works like a charm. Until the very end, I doubted whether it was even Hoffman doing the voice-over at all. And speaking of the ending, it is purely and simply one of the greatest ever <more>
made.The story is something that Hollywood likes to do a lot; only this time it's the best version. Having just watched "The Last Samurai," I realized the similarities between both films -- a man is taken in by his potential enemies and treated as one of their own. Then, when faced with the possibility of war, he must choose which side to fight for. And, as I said in my review of "The Last Samurai," both films similarly bash General Custer.In that movie, samurai warriors captured the hero. In "Little Big Man," the hero is captured by Indians -- or, more correctly, saved. After being massacred in a sandy desert by the Indians, a young boy named Jack Crabb is kidnapped by one of them and the Indian brings him back to their camp.As a small child, Jack is raised as one of their own. As he grows older, the "Human Beings" affectionately name him Little Big Man. As anyone can guess, he doesn't fit in with the Indians, but the Chief of the Cherokees Chief Dan George, who died 11 years after the film was made takes a liking to Little Big Man. Jack refers to him as "Grandfather," even up until the end of the film.Much to the chagrin of some Indians his own age, Jack begins to grow into an adult -- he looks a lot like Dustin Hoffman, too. When he hits adulthood, Jack leaves the Indians and heads out into civilization, where he meets Mrs. Louise Pendrake Faye Dunaway and his sister, Caroline Carole Androsky , who fled from the safety of the Indians one night years before, leaving Jack by himself.Jack, as an adult, even joins General Custer and is present at the infamous Custer's Last Stand, where he has to choose whether or not to fight against his own kind or become a traitor to the Indians.In between we follow Jack's adventures as he tries to make a living a number of different ways -- by helping an old man sell fake medicine to townspeople, to going out into the wild to find his kidnapped wife. He eventually ends up finding her years later, only to see her as a wife to one of the Indians. She doesn't even recognize him. This is an amazing, beautiful movie, filmed and released at the height of Cowboy and Indian movies. The message isn't gooey and sentimental like it could have been handled -- it seems very real. We become so affectionate towards Jack's character that when small things happen to him we feel sad or happy, or even laugh at the small humorous quirks. Such as the irony that Mrs. Pendrake becomes a prostitute after having preached to Jack years before about the importance of avoiding Satan's temptation. The director, Arthur Penn, stands back and lets things play out in old fashion film-making style. No quick cuts or awkward camera angles during action sequences -- this feels like a real old-fashioned western movie, even though it was released in 1970, the decade when the westerns started to increasingly diminish.The political correctness of the film is easily overlooked. For once it seemed as though Indians were not portrayed as the type of tree-loving mythical warriors in such films as the terrible "Pocahontas" Disney version . No, here we get a lot of Custer bashing, which probably had to do with the fact that the Vietnam War was going on at the time of release. Custer's attack on the Washita was perhaps intended to trigger thoughts of the Calley massacre at My Lai, the trial of which was going on the same year as the film.And I seriously doubt whether Custer was quite as crazy as Richard Mulligan portrays him in "Little Big Man." Egotistical, yes, but I don't think he suddenly started calling people "Mr. President" at the Last Stand and tried to murder them.But the film is also a subtle satire of the west. Besides, the film will sweep your thoughts away into other terrain before you have time to get mad over some of the inaccuracies and stereotypes.Example? The acting is marvelous, and full credit goes to Dustin Hoffman, who carries this film from beginning to end. I don't usually think of Dustin Hoffman as one of the best actors ever made, but I think that's because he so often disappears into character. He rarely plays himself. In "Tootsie" he plays a woman, in "Rain Man" he plays a mentally challenged individual, and in "Little Big Man" he plays a sort of hybrid between an Indian and a cowboy. He doesn't know what he is, and his journey to find out is what holds us, as an audience, so interested in the story.My two votes for best westerns ever made would go to "Butch Cassidy and the Sundance Kid" 1969 and "Little Big Man" 1970 . Both films are very different. Both are very amazing.4.5/5.
A challenging film that's entertaining and powerful (by JT-Kirk)
I can see why some folks won't like this film: it has a tone that is incredibly uneven, at different times diving deeply into very funny comedy and utterly tragic drama; it has an utterly unforgiving sense of violence and death; it doesn't pull any punches with the concept of the destruction of the Native Americans by the "white man"; and it's exceptionally long. If someone doesn't engage with the material on a strong level, they're going to feel every second dragging on them. Yet at two and a half hours, I found myself wanting a little more of the <more>
character's story, no matter how mundane or even more tragic it would become.Dustin Hoffman - even while donning heavy makeup, red-face, and a settler's accent - is incredibly engaging and mastering his craft with the zeal of a man knowing his own limits and stepping directly to them without hesitation. He embodies the comedy aspects with ease, yet never fully letting up of the layered nuance of the character within. And he's not alone, the majority of roles both big and small don't let the audience down, the director and the casting work on this film deliver a very complete story.The film's story is itself an interesting one, an aged man telling very personal tales of growing up on the frontier under incredibly challenging and varied circumstances, some of them historically famous. The character of Jack Crabb is a bit passive at times, observing the mania of the frontier from the perspective of both sides, having been born a white man but raised during puberty as a Cheyenne, then ping-ponging back and forth over and over between those worlds. Jack Crabb, also known as "Little Big Man", eventually comes to witness and suffer at the hands of George Custer, which becomes a greater and greater focus as the film shifts more of its focus from comedic to dramatic. Yet there's also a sense of letting go in this man's life, he has seen great and terrible things, he has had hope and hate, but he continues on. How he gets from the end of the story to his place at 121 years old is not told though, and that I would have liked to have seen at least a little of how he got from that life to the modern one, and what toll that took watching as the worlds he came from changed drastically around him. It might be easy to view Crabb's tale as a yarn spun by an old man wanting attention, there are elements lightly suggesting that possibility, yet Hoffman's acting tells a silent tale that maybe it's all real, and that right there is movie magic.Little Big Man isn't a movie that has only one character though, so throughout the story we meet characters once, twice, or many more times that all have their own story arcs, their own personalities -- some are for laughs, some are considerably more nuanced, and some are downright tragic. The film is rich with characters and consequences and flaws. Choosing to tell a story of the white man and the native man's interactions from a perspective that only very recently has become accepted is a strong choice and one that not every audience member can probably accept even today.The movie also sounds and looks great, shot on location in a wide format and filling each shot without overstuffing it. I'd like to say more, but the truth is that the production felt so right that it did its job perfectly - it told the story without being distracting. I also applaud the choice to have the Native American characters speak in their tongue but we hear English, this is after all a tale being told, not a cinematic attempt at an authentic recreation of Cheyenne life, otherwise half the film would be in another language and it just wouldn't have worked as well. This truly is a film of the '70s, having one foot in the cinematic movie-making of the past and the brutal honesty of that present.So while I think this movie was fantastic, I suppose I cannot recommend Little Big Man to everybody. It is a very good film and yet it will be a challenging film for some; it doesn't ask a lot of its audience but not every audience will be able to embrace the material. There are a lot of great performances including and beyond Dustin Hoffman, and production is rock solid, yet it doesn't quite fit in the world of comedy or drama, and Little Big Man runs too long for the impatient. But the rewards for those who find this film are significant.
" I Didn't Mean to Kill him, . . . just, distract him a little " " (by thinker1691)
For many years in Hollywood, Native Americans were not allowed to portray themselves in films. One director commented, they neither know how to play Indians, nor can they act. Once this absurd idea was quashed and Native Indians were allowed to portray their own people, not only was the myth crushed, but some of them received the highest tributes the film industry could honor them with. Such was the case with this unusual story which was touted as the most forgotten hero of the southwest. Jack Crabb Dustin Hoffman plays a white boy who landed smack dab in the emerging historical west at the <more>
start of the colonization period. Through his own fanciful narrative, we journey along as he survives an Indian massacre, adopted into the native culture, then re-acculturated into the White world near emerging townships, and then through several high frontier adventures which culminates with, The Battle of The Little Big Horn. Chief Dan George is Old Lodge Skins a native American who made himself memorable to American Audiences plays tutor and mentor to Jack Krabb. Faye Dunaway plays Mrs. Louise Pendrake who is both step-mother and temptress to the maturing Krabb. Martin Balsam plays Mr. Merriweather who literally goes to pieces throughout the film. Jeff Corey befriends Crabb as Wild Bill Hickok. Finally there is Richard Mulligan who plays Gen. George Armstrong Custer, both as a serious military man and then as a lunatic officer. The entire film is destined for classic status, depending on history's eventual reflection of modern Native Americans. ****
53. LITTLE BIG MAN western, 1970 From his Hospital bedside 121-year old Jack Crabb Dustin Hoffman recounts his exploits to a reporter: Captured by Cheyenne Indians at the age of 10 he's integrated into their 'alien' society and made the son of Indian 'Old Lodge Skies' Chief Dan George . Proving his courage despite his short stature he's given the name of 'Little Big Man'. During the Indian Wars Jack is returned to white society. There he works as a shopkeeper, gunfighter, and finally used as an Indian Scout. The latter landing him under the command of <more>
General Custer Richard Mulligan , who's putting together an army to fight the Indians at Little Big Horn.Critique: Extremely enjoyable, epic western directed by Arthur Penn. Praised for its depiction of Native Americans, it has biting satirical and political touches, saddled with farcical historical accounts of the Indian Wars. The once controversial aspects were meant to represent the ideologies of the time, but it has not lost any of its grit. What I like the most is its unique interpretation of Indians. Never in the long cycles of American westerns were Indians presented as almost alien, coming across as a mythical people whose ignorance of political maneuvers and technology proved their downfall. A very bitter and sad farewell swansong to what war and genocide has taken away. Atypical cast delivers strong passages but you won't forget the 2-standout roles of General Custer as portrayed by the maniacal Richard Mulligan and 'Old Lodge Skies' played by the philosophical Chief Dan George. QUOTES: Old Lodge Skies: "There is an endless supply of white men. But there has always been a limited number of 'human beings'. We won today, we won't win tomorrow."
This was a very good film, I think it was Hoffman's third hit film, and I can see why. Hoffman plays a 121 year old man who narrates his life among the indians and wars. It's a very good, and sometimes funny film, with great acting and scenery. It does run a little long, but its still very good. I would recommend it, especially if your interested in Native Americans. 8/10.