I Think We re Alone Now (2018) Other movies recommended for you
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Plot: The apocalypse proves a blessing in disguise for one lucky recluse -- until a second survivor arrives with the threat of companionship.
Runtime: 93 min Release Date: 21 Sep 2018
Morano always grabs these startlingly indelible, emotional moments in her projects. There are at least four of them in this film that I don't think I will forget. She really reveals the human spirit with precision through her film directing.
The best movie of 2018! (by jmoose-60729)
Emotional, breathtaking. I was absolutely blown away by how beautiful and smart this masterpiece is. This makes you question humanity on a deep philosophical level. The character interaction between Del and Grace is intense in every scene, and every moment between them is meaningful. The cinematography and sound design are perfect and complement each other in every way. You will want to watch this twice to make sure you catch every nuance, every hidden meaning captured in every scene.
Just perfect... (by juanmuscle)
I loved this so much I thought it could go on forever; to me this is a slow meditation on our human plight in a world beset by what? We all just die but a few and yet we still live to hurt and torture and and destroy and all for what? What a tragic waste, this gives rise to so many questions it just makes you think, the pacing is natural and beautiful, the scenes are also fun as they take a deeper look at our humane values , I mean what is humanity something to just experiment on carelessly, I mean there are yet a few people left and we still can't get along , are we that flawed?
So good (by sohailparvaiz)
Why rated so low its good, watch it.Loved the plot
Just go with it. (by askgutmagic)
Loved it. A Gem of a film. Some truly horrible reviews on here from the usual armchair critics who plague the web in this new world of Trump and Brexit. So long as you let yourself the time to absorb the world this film is set on you will love it.
Still waters run deep (by rwseidel)
Post-apocalyptic stories are seldom as realistic as this, which has a contemporary setting and survivors who are as banal as the pair who populate a small town after everyone else has perished from an unknown cause. Dinklage is amazing as he was in Game of Thrones, but his character is far more subtly wrought and limned by a restrained expression of his pain and compulsion to rebuild the environment in which he is struggling to survive what has killed almost everyone. Fanning is a more familiar post- apocalyptic character who finds herself in his company after foraging through the countryside <more>
and town armed with a revolver. Only after a car crash renders her unconscious and helpless does she persuade the fearful Del to allow her to stay and help clean up the remaining homes and shops in the town, burying the bodies in a vast, but not mass grave. After they finally become intimate, he meets her parents, who reveal the truth that shatters their world. It also shatters the watcher's perception of whatever reality the film was intended to portray. The underlying metaphor is physical: the second law of thermodynamics postulates that entropy must increase and, in the end, result in chaos. Biological systems create new energy as do radioactive decay and thermonuclear reactions in stars like the sun. These processes, which we have learned to replicate on a small but lethal scale, are transcended only by denial. The film reflects fundamental truths, but denying them is the postmodern disease.