message.It takes real talent to act the young boy in the body of a thirty something and Hanks' copes admirably, from the comical leaping around the bedroom when he is trying to put on the jeans of the child on discovering his transformation to the child-like reaction displayed on Perkins' advances toward him. He captures the essence of youthful innocence both in the company of his younger peers and older 'work' colleagues.Elizabeth Perkins complements the performance of Hanks' and it seems a shame that on searching the database that her career perhaps hasn't mirrored the success of Hanks' since making 'Big'.I don't know why, but I always shed a tear at the end of the film. Perhaps it is the longing in all of us to want to return to the days of our youth and that we cannot turn back the clock as one can in the imaginary world of film.As I grow older, and watch my children grow-up it makes me realise that time is a precious commodity and that life is a gift that should be cherished and nurtured carefully. This film somehow reinforces these feelings.

the result and everything.Big is the story of 13 year-old Josh Baskin who is tired of missing out on all the privileges of being an adult. He's tired of simply being a kid. One night, he makes a drastic wish at a carnival arcade machine, and in the next day, he wakes up 30 years-old or so . So the kid gets his wish, and while trying to return to normal, is a 13 year-old kid faced with a 30-year old's responsibilities. And it's a lot of fun. He works at a toy manufacturer. He gets the most excellent loft. I remember wanting a place like that when I was a teenager. Eventually, the 13-year-old must balance with the responsibilities of being a 30 year-old when Josh falls seriously in love with Susan Perkins . Big is one of the greatest movies ever simply because of the idea of a kid trying to be an adult and an adult still trying to hang on to being a kid, and all that things that Josh Baskins gets to experience while doing that.As one of Penny Marshall's most notable production, this is enjoyable for nearly any age group. Everyone in it is fantastic--Hanks, Perkins, Loggia, Heard, Rheul, Moscow, and Rushton. It's a tough thing trying to hang to being young when you get older, but Big's a good reminder to keep trying.

also manages to get a girl wanting him even though he is completely oblivious to it . All he wants is be himself again.9/10

more than just fluff. If you think about some of the messages, it's telling us just to take things at face value and enjoy life. Josh succeeds because he has no ulterior motives. We are regularly reminded about the importance of friendship, and how events in our lives can sometimes threaten our relationships with established friends when we find something or someone new that we think deserves our full attention. Of course, a good friend will forgive you for such indulgences.Overall, the movie deserves more stars for it's clever laughs, amazing acting, magnitude of imagination and nostalgia. Nonetheless, when the ending came along, I was left in shock wondering what just happened. Is that it? What happens next? There has to be additional footage. It cannot end like this. It called for a sequel perhaps, but I don't know if it ever came out. If you never watched this movie and would like to experience 80's nostalgia, it is highly recommended! My Ratings: 9 out of 10.

company Elizabeth Perkins falls in love with him. When he brings her to his new, gorgeous apartment, she sees his bunk bed, soda machine, and trampoline.This movie was remade as "13 Going on 30," which was also a delightful movie, but not nearly as memorable as "Big." As we watch Hanks spitting out Beluga caviar at the office party, eating his way through the buffet, and dressing in what can only be called a white Elvis tuxedo, we realize how far we all are from our child within and that sense of wonder and freedom that brings with it original thoughts and creativity. As the boy Josh starts identifying more with his external appearance and discovers sex and the pressures of work, he realizes that something is missing.Everyone in the film is excellent, including Josh's adult love interest, Elizabeth Perkins, John Heard, Robert Loggia, Mercedes Ruehl, and Jared Rushton as Billy, Josh's best friend. The end is adorable and worthy of some tears - which I shed. Highly recommended.

slapstick or farce: it is really a disquisition on the wonder of childhood. In the end it is quite touching, if not moving, reminding us all of the innocence of youth and the aching sadness of recalling its loss. Too early to tell, but the film might very well be destined to become a classic.

and all it needs is to see the world through the eyes of a kid. A kid perceives all the things differently, with much more native and modest simplicity - the keystone to imagination and magic, the keystone to cherish the daily miracles in our lives. This movie has a deep and very pervasive message. It has so much charm and vitality mingled with nostalgia and witchcraft. One of those movies I enjoyed watching when I was a kid. Recommended.

body of a grown up. His whole world comes crashing down on him. With the help of his best friend, Billy, he escapes to Manhattan, where he will go unnoticed.The young man is in for a rude awakening, but his child-like attitude opens all the doors for him. When he applies to work at MacMillan's toys, he is a happy boy that has been given a candy. Because Josh is genuine, he will rise to the top at the firm and even find love with Susan, an executive woman that falls for his charming way and innocence.The film is made more enjoyable by Tom Hanks. He is perfect as Josh, a boy at heart, with no malice. Elizabeth Perkins makes a good Susan. Jared Rushton plays Billy, the loyal friend. Robert Loggia is the owner of the firm. John Heard appears as Paul an executive who sees his star downgraded by the arrival of Josh.Highlights of the film have to be the F.A.O. Schwartz sequence where Josh and Mac play on the floor piano and the party scene where Josh eats beluga caviar!Great film for all ages thanks to Penny Marshall and the magic she created with this film.